This is an interesting question. Each artist will have a different and usually very emotional answer.
Here, in short, is my answer to this question. I create for the sheer joy and pleasure of creating. I create for myself. For me, the creative process is spiritually personal and is a meditation. Being still and meditating allows the creative juices in me to start flowing. Creating my art allows me to be in the present NOW. I focus only on painting and allow all else to fade away. Worries, plans, I should do, etc. I attain a level of peace that I get no place else. Creating is a selfish act most satisfying. I create for me.
That being said, I humbly offer my paintings for others to see and hopefully enjoy. It is my wish that they find in my painting a sense of beauty, peace, something that moves them, and a feeling of 'wow, I really like this' or 'jeez, what was she thinking?' I would hope the first reaction is obtained. Although, whatever one feels about my artwork is OK. They were moved in some way. They may or may not purchase my work. Either is fine. If they do, I am always very pleased. If they do not, that is beautiful too because that was not the painting's purpose.
Casey Shannon
Showing posts with label Casey Shannon. Show all posts
Showing posts with label Casey Shannon. Show all posts
Wednesday, August 26, 2009
Tuesday, August 11, 2009
Sumi-e and Haiku
Last post, I left you with the thought that the art of Sumi-e was directly related to the art of Haiku. Let's take a closer look at this concept. Since Sumi-e is minimalist painting and Haiku is minimalist writing, it would be reasonable to say that the two art forms would naturally support one another and often be studied and exhibited together.
In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku. Such as :
The fragrance!
Though I know not
Whence it comes.
~ Basho
Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. The typical length of haiku appearing in the main English-language journals is 10–14 syllables and have a symmetrical line arrangement such as 5-7-5 or 3-5-3. Some haiku poets are concerned with their haiku being expressed in one breath and the extent to which their haiku focus on "showing" as opposed to "telling". Therefore haiku is concerned with showing minimally as is Sumi-e.
Now let's look at the undesputed master of the haiku, Matsuo Bashō, an Edo-period Japanese haiku poet. Bashō's poetry was quickly recognized for it's simple and natural style. Sumi-e is recognized for it's simple and elegant brush strokes. A natural combination.
Let me show you an example of how I have used haiku in combination with contemporary sumi-e. For me as an artist, usually the haiku inspires the sumi-e. This results in a simple creative expression and profound experience. However, I have occasionally painted the sumi-e first and then combined the result with haiku. The following haiku is considered to be Basho's most famous haiku of all.
At the ancient pond,
a frog plunges into,
the sound of water.
~ Basho
Sound of Water by Casey Shannon
In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku. Such as :
The fragrance!
Though I know not
Whence it comes.
~ Basho
Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. The typical length of haiku appearing in the main English-language journals is 10–14 syllables and have a symmetrical line arrangement such as 5-7-5 or 3-5-3. Some haiku poets are concerned with their haiku being expressed in one breath and the extent to which their haiku focus on "showing" as opposed to "telling". Therefore haiku is concerned with showing minimally as is Sumi-e.
Now let's look at the undesputed master of the haiku, Matsuo Bashō, an Edo-period Japanese haiku poet. Bashō's poetry was quickly recognized for it's simple and natural style. Sumi-e is recognized for it's simple and elegant brush strokes. A natural combination.
Let me show you an example of how I have used haiku in combination with contemporary sumi-e. For me as an artist, usually the haiku inspires the sumi-e. This results in a simple creative expression and profound experience. However, I have occasionally painted the sumi-e first and then combined the result with haiku. The following haiku is considered to be Basho's most famous haiku of all.
At the ancient pond,
a frog plunges into,
the sound of water.
~ Basho
Sound of Water by Casey Shannon
Saturday, August 8, 2009
Artist Thoughts about the art of Sumi-e
As an artist, for me, ink painting is a meditation and a creative process. I concentrate on trying to capture spirit as the ink is transferred to the paper with the stroke of the brush. The brush is pushed across the surface of the paper quickly. If your intention is correct, the object in the picture seems to 'breathe and take on life'. This unseen yet felt breath begins to fill the page with spirit just as it does in all of nature which surrounds us. The special power of the painted form shines and appears through the ink and the white page. The white space surrounding the painted form becomes as important as the object itself. The ink painting represents soul, spirit, elegance, and beauty all at the same time in concert. Sumi-e exemplifies the concept of 'Less is More.
'Kokoro tadashikereba sunawachi fude tadashi'.
If your mind is correct, the brush will be correct.
The example of an ink painting that I have created and included above is called Branch of Persimmon.
Expressed in words by my Haiku:
" juicy ripe, branch of persimmon, gently live."
- Casey Shannon
Sumi-e is closely related to the Japanese haiku. Haiku is minimalist writing and Sumi-e is minimalist painting. They naturally support one another and are often studied in tandom.
'Kokoro tadashikereba sunawachi fude tadashi'.
If your mind is correct, the brush will be correct.
The example of an ink painting that I have created and included above is called Branch of Persimmon.
Expressed in words by my Haiku:
" juicy ripe, branch of persimmon, gently live."
- Casey Shannon
Sumi-e is closely related to the Japanese haiku. Haiku is minimalist writing and Sumi-e is minimalist painting. They naturally support one another and are often studied in tandom.
Thursday, August 6, 2009
What is the ancient art of Sumi-e?
Sumi-e expresses the character and soul of the artist. It is a meditative process and spiritually personal. Understanding this concept has been at the center of my art. I have been a student of Western painting and of ink painting. Ink painting called Sumi-e has captivated my spirit and soul. I am continually trying to increase my understanding of the secret of beauty and grace and elegance.
The Sumi-e art form is steeped in Zen Buddhism. In Sumi-e or ink painting, you have to 'become one' with the object in the painting. When you understand and/or experience how the simple and bold lines of the brush strokes and various shades of the ink are transformed to create a powerful spirit and energy, then you will have a sense of what these philosophies and paintings are all about.
Below is an example of a contemporary Sumi-e by Casey Shannon. I have used the traditional sumi (ink) for painting the flower. The red chops or artist seals are very common for Sumi-e painters. The sumi-e painting is not finished until the chops are applied by the artist. Here the large round chop translates into 'be well'. The square chop is my name 'Casey'. And the small round chop above my signed name translates into 'spring'. More to come..........

Flower of White
The Sumi-e art form is steeped in Zen Buddhism. In Sumi-e or ink painting, you have to 'become one' with the object in the painting. When you understand and/or experience how the simple and bold lines of the brush strokes and various shades of the ink are transformed to create a powerful spirit and energy, then you will have a sense of what these philosophies and paintings are all about.
Below is an example of a contemporary Sumi-e by Casey Shannon. I have used the traditional sumi (ink) for painting the flower. The red chops or artist seals are very common for Sumi-e painters. The sumi-e painting is not finished until the chops are applied by the artist. Here the large round chop translates into 'be well'. The square chop is my name 'Casey'. And the small round chop above my signed name translates into 'spring'. More to come..........
Flower of White
Subscribe to:
Posts (Atom)

